Saturday, September 12, 2015

The Bored and Dead Music Video Awards Should Not Be Televised


the Review By. The Lord Kempson Ari weYulu
@ZambiazHarshTag @KempsonAri



The organizers had an additional year to get it right, yet eight editions later, a school musical would have had a better stage, sound and lighting. For an indoor event, the acoustics were horrible. Call ZIRBO Zambia, they’ll sort out your stage and lighting as they successfully did for the Barefeet Festival. It’s a national event shown on the national broadcaster ZNBC; we cannot be cutting corners especially when people pay TV levies.  The lack of professionalism and importance attached to the event showed that and also the esteem they have for the Zambian music industry and the arts at large. I had difficulty in seeing the excellence in anything and saw the mediocrity in everything, the entire 4 hours of the Born n Bred 2014/15 was some beautiful nonsense with one or two sparks of artistry. Live television is not a dress rehearsal or sound check so please get with program.



From publicists to stylists, Zambian “celebrities” need invest in their image and pay professionals to get their act together. Do not look like a deer in front of headlights on the red carpet or your got dressed at your friends house, if you are nominated or presenting (key words are present, presentable) please look the part. Two weeks prior to the event, have three outfits on standby and practice in front of the mirror. 90% of the industry unfortunately cannot wing it, do not try to look smug or attempt to fake it on the red carpet or on stage for that matter. The sheer lack of charisma exhibited by some if not all the “stars” must be lamented. You could be Stedman for all we care, if you are not nominated or presenting do not speak on the red carpet or into the mic. Your friends and temporary forever’s will see you on TV, end of story. ¾ of the personalities I saw on the red carpet and on stage need to take note of that annoying Mika Gym ad that kept running every 10 minutes. Put the junk and fizz down and cut down on the nicotine and high starch liquor drink intake for those who partake. Wanna wear fitting cloths and show off curve and cleavage, exercise, eat right and tone down. Personal style is encouraged but get and pay a professional to deck you out.        

There’s a reason why almost 20 years later will still remember Whitney Huston’s rendition of the Star Spangled Banner at the 1996 Olympic Games in Atlanta, she went into the studio and got it right. The official opening which is the singing of the national anthem usually sets the tone for the event, that’s why Jamie Foxx belted the national anthem at the Mayweather vs Pac fight.  When asked to sing the national anthem at a national event, practice it and perform it on the day like Zambia just got its independence. Hold auditions as organizers if you need to, but save us all the embarrassment of desecrating the national anthem. Speaking of national issue, why wasn’t the mother and patron of the arts Mama Mulenga Kapwepwe (National Arts Council Chairperson) snubbed and not invited to the awards? We seem to have forgotten that not only is NAC an act of parliament, but also has the mandate to regulate, co-ordinate, supervise and monitor all arts activities in Zambia. Enough said, and now ladies and gentlemen, it was all a bad dream.

In addition to an entire extra year to get it right, the date got moved again which meant more rehearsal time but performances where still below par. It was a club banger, but the live off key and scattered performance of the hit She Aah Bomb left a lot to be desired and quite frankly so did most of the other opening acts and acts during the show. If you’ve are in the entertainment/music industry and billed to perform live, get it right with the band and bring your sound engineer along. The song sung live, should sound as it did in the studio. Refuse to perform if the appropriate standards cannot be met, it’s an insult to the fans and the audience when you can’t give the people a proper live show. Professionals the world over have their own mic, a DJ and sound engineer to ensure the band and singer are in sync and thus the performance is above par.
 
Unless its LL Cool J at the Grammy’s, Mc Lyte at the BET Awards, and our very own Chishala Chitoshi Jr. at any Zambian award show, game show hosts from when I was in the 8th grade should not be allowed to host award shows. There’s so much young talent with the dexterity and articulation necessary to host the Born n Bred awards in a memorable manner. Short of looking like a ventriloquist dummy, the host lacked tact and was uninspired, adding to an already lagging event. Get a teleprompter, get fresh talent to host and give the show a new lease of life, throwbacks or a has-been won’t cut it. Ah yes, the voter registration mobilization advert made me not want to register and vote. Last I checked, there no polling stations at the swimming pool and people in the community do not wear suites to register or vote. The delivery and execution of that commercial was poor and did not explain anything to the people in the community.

And now back to the performances. There is a difference between performing at East Point or a show and performing on a stage on a national platform. The backup vocalists did a great job, but a lot of the acts on stage however did not deliver. The dance routines where scrappy, the audience was uninterested and did not sing along. As far as tributes go, make sure they live up to the person you are remembering. A prolific song writer and one of the best hook men in the business deserved a more befitting tribute. Being PJ’s brother does not give you a license to sing off key and remix a hit record by throwing in raps and whatever that else that was. Ba Joe Chibangu you’ve been in the game a long time, you should have known better and been on top of the situation guiding the kids and showing them how it’s done instead of that uncoordinated hot mess we saw. You could hear a pin drop however when what was the performance of the night came on and delivered music in its true essence. Armed with a guitar and accompanied by a traditional drum, Theresa delivered a poignant performance, with every piercing lyric clear as a bell. The performance was special. Applause to Jay Rox, good job on delivering a cohesive performance form which other acts should take notes. The Cypher was not televised *scratches head*, it would have broken the monotony of the dreary telecast. 

We do not know when the voting ended and by whom the results where verified, some of the results were sketchy and we will never know how credible the awards let alone outcome was. Things get awkward when the crowed screaming the title of the song that should have won Best Dancehall and Joanna didn’t win. Things get even more interesting when the Best Collaboration is a three people act and there are only two trophies. Do the maths properly, and in future (if there is one) have four trophies on standby it’s collaboration not a duet of best duo. Moving on to acceptance speeches folks, keep it brief and to the point. We don’t want to know why the recipient could not collect or your relation to them, say thank you on their behalf and apologies that they couldn’t be there and remove yourself from the stage. Let me make myself clear again, apart from the person receiving the award, significant others, neighbors, fans of fans should only be mentioned in the speech and not be allowed to even breath into the microphone. I don’t know what Twitter timeline the ZNBC tweep was looking at, clearly not the one the rest of us were looking at. Harsh tweets and Facebook posts is putting it mildly, Bored n Dead is not our first time at the rodeo.   


Same number, same city if you looking for me! Bye

Thursday, September 10, 2015

Selfies At The Beach With Zinhle, Flying Fish & R&G


the Exclusive By. The Lord Kempson Ari weYulu
@ZambiazHarshTag @KempsonAri


T

he process was simple, drop a K 5ifty, get tagged and enjoy. The masses turned up and R&G Events (@RandGzambia) delivered the goods as always. Don’t believe me? There was even a mobile FNB ATM (@FNBSA, @FNBZambia), enough said. With one nation gathered under and in the groove, the 2015 Flying Fish Beach Festival was a befitting way of welcome the summer on a spring Saturday (time frame is blurry). From Dj’s to TV personalities to public figures and tweeps, everyone was at the beach and the selfie count definitely went past the thousands as the party raged on into Sunday morning. If you are reading this and were not at the Gymkhana Club, you missed out on sipping some cold Flying Fish, summer anthems and the 10’z roving the park including models such as Miss International Zambia Mercy Mukwiza (@Mercyswit).



With two stages on either end of the beach, as far as music is concerned which was the elixir fuelling the event (the Flying Fish was also at work), it was the battle of the mongoose VS the snake between the astonishing bill of Dj’s. The white tent was House central under the auspice Dj Shotz (@Shotzismyname) and co. who churned out hits such as Lime by Electrobrain and Gotta Tell you by Deepjack and Mr Nu. As the house played on, Savanna award winning club Dj HuSseiN (@SupastaDJ) dropped bombs and did damage on the main stage dropping club hits including Kendrick hit record King Kunta which brought the funk that kept people moving and singing along. Fist Pump Bear Sebastien
(@sebastiendutch) took over the main stage with a spell binding and energetic performance which kept people’s hands in the air with tunes such as Rude by Magic. His set also included a live performance by Kiki (@kikisingszed) performing original material produced by him, and What You Gonna Do by the duo (who are on the cover of the R&G Magazine 2015 Issue) was performed and heard live for the first time. Kiki is a breath of fresh air and a welcome change from convention, the petit femme fatal packs a lot of soul and oozed sensuality throughout her vocally seductive performance. I can’t wait to hear the album eventually. Dj Blocks (@DjBlocksZambia) the winner of the Miller Soundclash (headed to Las Vegas), proved why he is indeed the man representing Zambia in Nevada as he kept the hits coming such as summer sing along #Classic Man and other anthems.


The G in R&G’s outta ego Ba Guy came on the decks an hour before Dj Zinhle (@DJZinhle). As soon as he dropped his calling card smash hit by Nelly Hot In Hear, Fish (a big Nelly fan since high school) filled up the Flying Fish tent as he kept the masses jiving to dance floor fillers both new and old skool. However when the clock struck 9ine on the dot, the superhero had other ideas for the main stage but not without Ba Guy putting up a fight. All along however the headline act had a plan (besides looking summertime fine and in great shape), which she enacted after dropping cult hit Cheerleader and then really switched things up with Dj Merlon’s (@djmerlon) Koze Kusa. There is a reason DBN (@DbnNyts) Nyts feat. Zinle Ngidi &Trademark is permanently on my “Dawn of Summer” playlist, when the Dj drops #Shumaya you immediately begin to gyrate and develop rhythm in seconds. When fisherman’s We Call Out all out came on after Shumaya, Zinle had succeeded in teleporting the non believers and those on the fringes to the mash pit of the main stage. When she dropped The Drummer Boss Heavy K’s (Heavy Kusta) (@HeavykDrumboss) Yini tjooo, I was overdosing and near comatose from the hypnosis of Zinhle’s prowess behind the decks spinning house standards in tow. She delivered like the house queen she is, all hail the maestro and Her Name is really ZINHLE and Lusaka say thank you and much love. Tjo, way to set off the sunny days ahead.    


Zinhle was handling business (as a boss lady should) on deck so I couldn’t disturb her for a selfie (but there will be a next time when ama also get to hold an ERA piece), but I vicariously took one through my compadre manning security Big Sam aka Samuel Mutale (@Joshua_Samuel_). I know using your super powers you are reading this @DJZinhle. Celebrity sightings of the day included Cleo the Ice Queen (@Cleo_icequeen) from Big Brother and now host of Dreams season 2, rising riddims and Crystal Ball rap artist Mic Burner (@Micburnermsic), Bombshell (@MizzBombshell) The Burg/Nkani Yalula (ft. Jay Rox) fire spitting Mc and the disc jockey K Army CEO and producer KbKilla Beats (@killa_kamy) was also mingling in the crowd. The biggest shout out is reserved for my tweeps/followers/following, starting my the fashion savvy No.1 festival (2 for 2) partner in crime

Kamota (@Fuchsiaristic), fellow Red and button up associate Luwi (@mz_luwi) and Co. Dee Walker (@Sunshine_deeD)  owes me drinks or food (TL references) at the next event on the calendar, I will collect. Xoxoxo the controversial
#Sexy Body Kachanana (@justkach), it was a blast meeting you *winks*. And so as the sun went down and came up again the next day, the Flying Fish flags flew and blew into the night. Thank you R&G, see you in Fringila from the 9th to 10th October at Oktoberfest! Get that tent for K300 from R&G HQ at 3056 Makishi Road 
          

Tuesday, September 8, 2015

The Disparate Youth Galvanize Their Movement At Street Culture Festival

                                                               The Review & Analysis By. Sir Kempson Ari weYulu
@ZambiazHarshTag @KempsonAri



W


e have come a long way as a republic on many fronts, progress that has permeated a lot of elements in Zambia over the past 5 decades.  It was something like a scene straight out of Breakin’ and the sequel Electric Boogaloo. From crop tops to sweat pants and skinnies, nothing much has change not even the snap back, the culture may have aged but Hip-Hop and its elements still maintain youthful vigor, hence it will never die! I could check at least 3ree elements that are part of the essence of the culture that were present at the gathering: Breaking, DJing and graffiti, Slap D (@slapdee) brought it full circle when he jumped on the Mic with the MCing element. I wouldn’t have believed it if hadn’t seen with my own eyes, B-Boys and B Girls, graffiti and freehand artists, and skaters, all 21st century Zambians (yes that includes you Dwain Whitaker) making Street Culture (www.facebook.com/profile.php?id=100008989366507) happen in a germane way. The 12th edition of the Street Culture Festival (www.facebook.com/SCEAA?ref=ts&fref=ts) boldly put the misguided notion that the youth lack imagination, originality and adventure.

Founded by Kapembwa Siame and Elijah Zgambo in December 2011, the Street Culture Festival is held three times a year s during school holidays in April, August and December. With a 13,303 strong Facebook following (Facebook...), the culture is a full fledge movement with the Festival and dance being just one element. The street art aka graffiti and freehand sketches were amazing dimension to behold. The prodigies that are 
Nsamba Shitumbanuma (instagram.com/nsamba93and Dwain Whitaker
(https://www.facebook.com/XXP.DoWork)
 are indeed the future Jean-Michel Basquiat’s Keith Haring’s of the Zambian art world.  Aside from the tri annual festival, Street Culture as an institution that also teaches the art of breaking and other forms of dance to the youth. With all the backlash and negative publicity the young folk receive, it is refreshing to see them promote themselves in a positive and non destructive light. The strong anti drug theme No Love For Drugs sent a clear message. Art in whatever form it was being expressed at the festival is a safe outlet and also healthy form of recreation, which also deters harmful practices and vices. There were no liquor or nicotine merchants on the premises of the event which sent an affirmative message.         


Despite the high concentration of puberty and energy, there was no unruly conduct. The organizer must be applauded not only for ensuring the personal health and safety of 1500+ attendees, but also engaging professional health practitioners. Although only 48 people were tested (at the time this data was collected), the facilities for counseling, testing and promoting safe sex where readily available and accessible for the sexually active or those experimenting  who constituted a large number of the crowds and information seekers too. It is important to stress the fact that the provision of these facilities is not to promote promiscuity but to save lives and prevent infections amongst the most susceptible group in society who are the youth. The Latkings Outreach Program

message was clear: Promoting sexual education, promoting sexual rights and promoting health care. In 2015 we cannot be as naïve and turn a blind eye to the sexually active or perpetuate the abstinence message of a bygone time, a practical approach and a less rigid approach which stresses a zero fear or stigmatizing approach must be encouraged. I salute the men and women promoting safe sex and educating the nation’s future.

              
Aside from the main event which was dance, the skaters in the outdoor arena were also amazing to watch. With rap classics such as The Notorious B.I.G providing the sound track, the decks on wheels event was on high octane as they kicked, pushed, grinded and flew off ramps. With no signs of slowing down, Hip Hop is not dead and the Street Culture Movement is doing a good job of keeping the culture alive and keeping the youth productive. Shout out to the local and international sponsors, enterprises and organizations supporting the movement. See you in December 2015 at the next 13th edition of Street Culture Movement… It will be of epic proportions!  

Friday, September 4, 2015

3ree Peat Afrocentric Fay Comfortable In Her Skin


The Bespoke By. Sir Kempson Ari weYulu

@ZambiazHarshTag @KempsonAri




D

ashikis have made a massive comeback, women have reverted to their natural nappy/kinky hair, and African print is suddenly the new vogue. Before this global phenomenon however, there was a fashion designer who was yards of fabric ahead of the trend. Popularly known as Fay Designs or simply by the mononym Fay, it was she over a decade ago (and still is an institution today) that pioneered the Afrocentric look and is still in the game as one of the top A-list designers in the Zambian fashion industry that caters to the local, international and A-list market. Faith M Kabende has come a long way from her 99 Mulombwe Close studio and now has an atelier on Bwinjinfwumu and a flagship store in Northmed Lusaka.

Fay has transcended local markets and has been waving the Zambian fashion flag high, showcasing and selling hear wares on the international market. Having received another nod, Fay has been nominated to showcase and represent Zambia (along with two other designers) at the 3rd annual African Fashion Reception on the 21st of November 2015 in Paris. Having already showcased at the inaugural reception and the second one held last year, this year makes her a triple threat. With 10 outfits being the receptions runway requirement, the source of inspiration is an important component to understanding what to expect from Fay. For the Paris collection, she cited the solar system as her inspiration and the collection will be an ode to God who is the supreme creator and source of inspiration. She also added that the portfolio will be infused with her signature afrocentric flavor. Day 1 of the event she stated will be devoted to showcasing her designs on the run way, and the second day will be trading day. Not only will this prestigious event be a great platform to further promote the brand, she also affirmed that she is honored by being granted the privilege of being nominated a 3rd time.

As far as support goes, she is expecting to receive support from the Ministry of Tourism, Arts and Culture as well as the National Arts Council. Having footed her own bill last year, can we please insure we appropriately support artists promoting our country on the world stage, and as such I implore the private sector/business community to support the arts at all levels. Echoing Fay’s sentiments also, the ministry must also consider sending bloggers/writers to chronicle and inform people at home and on social media on ongoing international aesthetic events where Zambians and representing Zambia such as the reception in Paris. No doubt in our minds and hearts 3ree peat Fay will do the Zambian copper eagle proud. Bonne chance Madam Fay, we are rooting for you!

Catch The Verbatim With Fay as she talks fashion school, video games and express who she is at kalembaweyulu.wordpress.com   

Thursday, September 3, 2015

Summer in Spring At The Beach With Zinhle, Flying Fish & R & G

The Boost By. Sir Kempson Ari weYulu
@ZambiazHarshTag @KempsonAri




Zambia may be a landlocked country, but no geographical limitations have ever stopped R&G Events (@RandGzambia) from providing quality entertainment and maximum fun even if it means bringing the beach to us in Lusaka. Hella kick off spring on the brink of summer with the Flying Fish Beach Festival at the Gymkhana Club at the Lusaka showground’s. Get your freshet sights, fedoras, body oil/sun screen, tuck your tummies in and avail yourselves on the 5th of September 2015 to the sand. Those of you with the brand new Samsung Galaxy S6 edge or Note 5, you best be flexing your selfie game. Bikinis, short shorts, beer pong, freebies, the sand and music, spells the perfect weekend.

Her Name Is, yes the maverick disc jockey and the My Name Is hit maker Dj Zinhle (@DJZinhle) will be on deck to marshal the situation on the 1nes n 2wos. In a male dominated industry, this South African female Dj has made her mark as an international virtuoso of the decks and also as a respected entrepreneur in the watch, jewelry and accessory industry (If you reading this Zinhle, lemme hold some of that ERA bling tho… your timepiece maybe). ERA by Zinhle is the name of her line, get your fleek on blast this weekend by getting some of that ERA at http://djzinhle.com/onlineshop/. Enough said, the lady Zinhle will be at the beach belting hits for the masses to groove and kick sand to till sundown. Get in line and pick a number for selfies with Zinhle, I got next so I can report on how awesome the beach was.


There will be plenty of Flying Fish to quench the thirst (not that thirst perverts), who are also powering the event via R & G events. Well then, it’s a check in all the boxes. Surfs up party people, grab your towels, we are going to the beach this Saturday with Zinhle, Flying Fish and R & G Events. It’s the day after tomorrow (Friday), Saturday!          

Femi Delivers Positive Vibes

The Coverage& Exclusive By. Sir Kempson Ari weYulu
@ZambiazHarshTag @KempsonAri




T
he drum is an African invention and novelty, a cardinal part of African culture and custom. It is a tool used to communicate and celebrate, with distinct rhythms distinguishing the various occasions. Hence the theme One Drum Many Beats was indeed an appropriate theme for the 2015 Barefeet Festival, and the right elder was called upon to deliver the unifying message and enlightening force of music. The organizers Barefeet Theatre (@barefeettheater) were also up to task, the open air theater was befitting of the week long festivities that took place.  

Sound and lighting are cardinal to any live musical or theatrical performance, and they can make or break an event. Zirbo Zambia stage and lighting put to rest the myth that Zambia cannot stage festivals of international standard, by transforming the show grounds Gymkhana Club into a world class stage on which local supporting acts and a Grammy nominated musician virtuoso performed. From the first drum beat by Fire (a joint act between Zambians and the Dutch) to the last note sung by our neighbors from Zimbabwe Mokoomba (@Mokoomba), every key could be heard through the speakers clear as a bell. Indigenous acts that also took to the stage included MOJO music (@lsk_mojo) kalindula/Mukambo crooner artist Mumba Yachi (@MumbaYachi) whose performance included cult hit Mongu Rice, guitar maestro Uncle Rex and his band also belted out some hits and ballads and just before the headline act’s set, Zambian soul songstress Maureen Lupo Lilanda (@maureenlilanda)
backed by her stunning daughter and violin soloist gave a very lively performance which included a cover of Ed Sheeran’s Thinking Out Loud. 
        
The eager eyes and ears were immediately serenaded and began to sway as soon as the Positive Force began the 10 song playlist and raison d’être of the evening with a piercing horn laden performance of What Will Tomorrow Bring, and as the song mellowed down, on strutted the master virtuoso himself the great Femi Kuti on stage clad in a blue regal traditional outfit (with embroidery details of green, red and orange of the Zambian flag) with three dancers/backing vocals in tow to a thunderous welcome from the intimate crowd. The set included a fusion of music genres including funk, soul, jazz, bosa nova, all collectively weaved into an afro beat measure. The entertainer and performer skillfully played keyboard solos, saxophone and a hypnotizing 5 minute clarinet classical arrangement. From the tempo to the salient harmonies of the call and response, Do

Your Best from the Fight to Win album (the album version features Mos Def) was delivered in true afro beat standard. Other notable anthems that displayed his musical dexterity charged with social commentary included The World Is Changing, and hit record Sorry Sorry. But the four time Grammy nominated afro beat act would not have been complete without saluting the crowd with the chart toping Bang Bang. The performance was that of legends, never missing a single note, the dancers moving in sync and the Positive Force Band consisting of a six piece horn section, 1 keyboard player, 1 lead guitarist, a bass player and a drummer, kept the crowed dancing and singing along to familiar afro beat tunes. He that came to be watched and heard delivered an unforgettable poignant performance.   
   

Gratitude must be extended to all the sponsors who made the Barefeet Theater vision possible and the materialization of the celebrations. Applause Barefeet Theater also did a phenomenal job of accommodating the press (free & support underground bloggers), it’s an unsung heroes honour and other events should emulate and accommodate freelance writers. The biggest appreciation is reserved for Baba Olufemi (and the Positive Force) who has a busy schedule and global engagements, for gracing the occasion with great vigor. Although this was his maiden visit to Zambia, Olufela Olufemi Anikulapo Kuti is always welcome to Zambia. The smiles could not be wiped off the faces of the music lovers who were treated to a stellar performance of the uppermost standard. He is indeed the son of Fela, and continues to express his fathers’ legacy in his own unique way and the mission of liberating Africa.  Anikulapo (he who carries death in his pocket) indeed delivered a killer Positive Force, bringing the festivities to a crescendo ending on the evening/night of 29th August 2015.

     

Catch a full analysis of the message Olufemi had for Zambia: Libretto by Olufemi at  On kalembaweyulu.wordpress.com Friday 4th September 2015 at 12pm CAT

Tuesday, August 25, 2015

Night Of A Thousand Selfies With Tlale

The Coverage& Exclusive By. Sir Kempson Ari weYulu
@ZambiazHarshTag @KempsonAri



The arts in their many different guises provide us with a glimpse of excellence, and a taste of the sublime. Art said Picasso, blows away the everyday cobwebs from the soul. All should have a chance to taste that breeze. The aesthetic of fashion has been on the back foot for a long time in Zambia, and is now just getting in its stride. A standing ovation must be given to Karen Nakawala (@karen_nakawala) and her Zambia Fashion Week (@zedfashionweek) squad for her diligence in putting together an event of such significance to the Zambian fashion industry, the astounding David Tlale Workshop. Sincere gratitude must be extended to the government through the Ministry of Tourism and Arts and Culture, as well as the National Arts Council for their unwavering support to this blossoming trade. A colossal curtain call is reserved for the maestro and avid advocate of fashion Mr. Tlale (@Tlale_large), who not only graced the occasion but also delivered a poignant discourse and spectacle indeed.  I’ll get to the selfies in a bit, but we must establish the raison d'etre.

To say the event was a success would be an injustice. It was an invaluable endeavor indeed that fed the minds and souls of hungry artist. There was enough wisdom decimated to put a fool on his course and guide a blind man to his destiny. The workshop unfolded like clockwork, from the dialogue with David, to his mini fashion show (in which the Zambian models strutted to the rhythms of Simphiwe Dana (@simphiwedana)) delivered to an attentive audience. The synthesis of the key note speech was the need for us as Africans to excel in excellence through the production of quality and pride in our culture, and aesthetics that go back a long way. Chairperson of The National Arts Council Mulenga Kapwepwe (@MulengaKapwepwe) also emphasized that, believers make us accountable for our dreams and as such we must seriously follow through and materialize our visions into actions. The Permanent Secretary (PS) of the Ministry of Arts and Tourism put the exclamation mark when he stressed that there was a need to diversify from nature based tourism, and the fashion industry needed to tell government what incentives it needed.  A throng of talent in true Zambian flair was converged for awareness as well as to officially witness the launch of The Intern by David Zambia

The super eccentric gifted included Marilyn (@4ev3rMarilyn) in her signature felt Stetson hat, winner of the best upcoming designer at Zambia Fashion Week Debbie Chu (@debbiechu101) and Musha in an architectural inspired bespoke frock. Yves (shares name with one of my favourite designers Yves Saint LaurentKatongo also showed up in a stunning white calico piece with a print collar she had sewn the morning of the event… what passion for the craft indeed. 

Wait! Did I just see and hear Fay with her stunning locks of natural shaggy hair & Betty (in her signature duku (head wrapper)) are headed to Paris while I was staring at and nodding at Lucie (@Lucie7) (in a fashionable stripped pink shirt) with best friend Nkole (@nkolewanseko) ? No, there was no drama or diva behaviour, everyone behaved themselves as the event was well organised and started on time. Thumbs up to the 100 strong crowd, each looking very original indeed, spotting their own eccentric designs and original African hair do’s.



If a bomb went off in the Intercontinental ballroom on Friday 21st August, Zambian fashion & arts and South Africa’s iconic designer David Tlale would have been wiped out with only an outstanding portfolio and legacy to survive the talent in the room. All protocols observed included the PS  Ministry of Tourism and Arts and Culture Hon. Stephen Mwansa , The Zambian mother of the arts Mulenga Kapwepwe (@Mulengakapwepwe), The Zambia Fashion Week master mind Karen Nakawala, seated next two me where the award winning originators of Zambian fashion
blogging MaFasho (@MaFashio) and in front of me was the retro Kutowa (@KutowaDesigns) visionary Towani Clarke (@TowaniClarke). The running shout outs and selfies would not be complete without an appearance by the sexiest news anchor on Zambian television (ZNBC) Chitalu Mulenga (@chil_mwelwa). The event was indeed worth a thousand selfies. David Tlale will also be in attendance at Zambian Fashion Week 2015 (15th -17th October 2015)



Catch the full Tlale Exclusive: The Struggle Is Never In Vain Slayed David on Wed 26th August 2015, 3pm CAT at kalembaweyulu.wordpress.com

Thought Of You Burning Up!


the Review By. Sir Kempson Ari weYulu
@ZambiazHarshTag @KempsonAri


A
pproaching or getting on a track, is like getting 3 minutes to whisper all the right sweet nothings, something like you are about to put a ring on a stone cold fox. From the opening croon on Thought Of You, there is no doubt in the left and right ear that indeed Mike Burner (@micburnermsic) and Magician were on a mission. For the entire 4 minutes the song is on, I’m immediately transported to Miami on a vice yacht party, a scene straight out of Ballers with centerfold Serena and Venus vixens. One hand on the wheel, coasting in a hazy state without a care in the world, is the feel the song evokes. Downloaded 2649 times (at the time the article was written) and counting, the masses feel the same about this summer anthem.

Everything on the catchy riddim is pure calypso. The raspy delivery by Mic saliently scorches the disco funk synth driven melody and rides clap drum pattern. The lyrics are witty and create a mental visual of the situation and scenario of typical day in the life of a guy over the bass line. The backing vocalist deserves applause for being the butter on the cut. The mastering is stellar, sign that the sound engineer did his job thoroughly at mastering. There’s welcome buzz of a video which will send Thought Of You out of the park.                     

A hit record is the combination of the producer doing their job of interpreting the artists’ idea and the artist then getting behind the mic and delivering a one take performance.  A club banger or summer anthem however requires the midas touch to get it heavy rotation status, from the first beat and note you will know without a doubt it’s a hit record and a video will follow. The name you choose as an artist or producer can also be the game changer. Producer Magician and the MC Mic Burner (officially signed to Crystal Ball Entertainment/Music) checked all the right boxes when they chose their respective callings. The result of this rare combo was a Knuckle Punch. Can’t wait for the video to drop and cause mass commotion! 
#NICETOMEETCHA
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Monday, August 24, 2015

Flow 1ne Finally Drop!



the Review By. Sir Kempson Ari weYulu
@ZambiazHarshTag @KempsonAri



R
emember that “keep your eyes on Jesus” solo refrain at the end of Pompi’s Mulungu Samagona? And the harmonies on the groovy tune Packaging? As well as the concords on Peace Be Still? Or maybe you where at the 2014 Jazz Festival and saw them live backing Pompi? Yes, that was all the talented duo of Seya and Abi Mali (born and based in Lusaka) collectively known as Flow 1ne (@The_Flow1ne). The gifted singer/songwriter duet signed to Atmosphere (atmospherenation.com) on Friday 14th August 2015 (now only a week old) officially released their maiden single Gwesa.

The approach to the song itself is refreshing as the title of the song suggests, Gwesa (Nyanja for drop or taking a load off). From the strong opening vocal delivery, I feel the spirit move, and when the beat kicks in, I get stomping and clapping because the Lord got me feeling brad new through this jiving gospel up tempo tune. The subtle church organ chiming smoothly in the background immediately reminds me of my Grandma playing her favourite spirituals but with a new twist to it. Every note is on time and in sync with every beat, a well arranged composition and easy to listen to. The complex harmonies that come strong on the hook were well executed, giving Gwesa the rich texture on which the poignantly crafted lyrics are woven. Indeed this soulful ballad “will kill a hangover” and definitely bless and lift someone’s spirit.                                   

Backing vocals seldom get the recognition they deserve for the ineffable contribution they make to a song, an album, a live performance and a musical career. The harmonies and adlibs on a lot of hit records are often the work of the backup singers. While some remain session artists, others go on to pursue solo careers, like the legendary Yolanda Adams. Applause on Flow 1ne finally dropping Gwesa and the album should be forthcoming soon. We hope. Radio; please keep Gwesa in rotation because someone out there needs to take a load off. It’s a definite 10 from me, Bless.