Saturday, September 12, 2015

The Bored and Dead Music Video Awards Should Not Be Televised


the Review By. The Lord Kempson Ari weYulu
@ZambiazHarshTag @KempsonAri



The organizers had an additional year to get it right, yet eight editions later, a school musical would have had a better stage, sound and lighting. For an indoor event, the acoustics were horrible. Call ZIRBO Zambia, they’ll sort out your stage and lighting as they successfully did for the Barefeet Festival. It’s a national event shown on the national broadcaster ZNBC; we cannot be cutting corners especially when people pay TV levies.  The lack of professionalism and importance attached to the event showed that and also the esteem they have for the Zambian music industry and the arts at large. I had difficulty in seeing the excellence in anything and saw the mediocrity in everything, the entire 4 hours of the Born n Bred 2014/15 was some beautiful nonsense with one or two sparks of artistry. Live television is not a dress rehearsal or sound check so please get with program.



From publicists to stylists, Zambian “celebrities” need invest in their image and pay professionals to get their act together. Do not look like a deer in front of headlights on the red carpet or your got dressed at your friends house, if you are nominated or presenting (key words are present, presentable) please look the part. Two weeks prior to the event, have three outfits on standby and practice in front of the mirror. 90% of the industry unfortunately cannot wing it, do not try to look smug or attempt to fake it on the red carpet or on stage for that matter. The sheer lack of charisma exhibited by some if not all the “stars” must be lamented. You could be Stedman for all we care, if you are not nominated or presenting do not speak on the red carpet or into the mic. Your friends and temporary forever’s will see you on TV, end of story. ¾ of the personalities I saw on the red carpet and on stage need to take note of that annoying Mika Gym ad that kept running every 10 minutes. Put the junk and fizz down and cut down on the nicotine and high starch liquor drink intake for those who partake. Wanna wear fitting cloths and show off curve and cleavage, exercise, eat right and tone down. Personal style is encouraged but get and pay a professional to deck you out.        

There’s a reason why almost 20 years later will still remember Whitney Huston’s rendition of the Star Spangled Banner at the 1996 Olympic Games in Atlanta, she went into the studio and got it right. The official opening which is the singing of the national anthem usually sets the tone for the event, that’s why Jamie Foxx belted the national anthem at the Mayweather vs Pac fight.  When asked to sing the national anthem at a national event, practice it and perform it on the day like Zambia just got its independence. Hold auditions as organizers if you need to, but save us all the embarrassment of desecrating the national anthem. Speaking of national issue, why wasn’t the mother and patron of the arts Mama Mulenga Kapwepwe (National Arts Council Chairperson) snubbed and not invited to the awards? We seem to have forgotten that not only is NAC an act of parliament, but also has the mandate to regulate, co-ordinate, supervise and monitor all arts activities in Zambia. Enough said, and now ladies and gentlemen, it was all a bad dream.

In addition to an entire extra year to get it right, the date got moved again which meant more rehearsal time but performances where still below par. It was a club banger, but the live off key and scattered performance of the hit She Aah Bomb left a lot to be desired and quite frankly so did most of the other opening acts and acts during the show. If you’ve are in the entertainment/music industry and billed to perform live, get it right with the band and bring your sound engineer along. The song sung live, should sound as it did in the studio. Refuse to perform if the appropriate standards cannot be met, it’s an insult to the fans and the audience when you can’t give the people a proper live show. Professionals the world over have their own mic, a DJ and sound engineer to ensure the band and singer are in sync and thus the performance is above par.
 
Unless its LL Cool J at the Grammy’s, Mc Lyte at the BET Awards, and our very own Chishala Chitoshi Jr. at any Zambian award show, game show hosts from when I was in the 8th grade should not be allowed to host award shows. There’s so much young talent with the dexterity and articulation necessary to host the Born n Bred awards in a memorable manner. Short of looking like a ventriloquist dummy, the host lacked tact and was uninspired, adding to an already lagging event. Get a teleprompter, get fresh talent to host and give the show a new lease of life, throwbacks or a has-been won’t cut it. Ah yes, the voter registration mobilization advert made me not want to register and vote. Last I checked, there no polling stations at the swimming pool and people in the community do not wear suites to register or vote. The delivery and execution of that commercial was poor and did not explain anything to the people in the community.

And now back to the performances. There is a difference between performing at East Point or a show and performing on a stage on a national platform. The backup vocalists did a great job, but a lot of the acts on stage however did not deliver. The dance routines where scrappy, the audience was uninterested and did not sing along. As far as tributes go, make sure they live up to the person you are remembering. A prolific song writer and one of the best hook men in the business deserved a more befitting tribute. Being PJ’s brother does not give you a license to sing off key and remix a hit record by throwing in raps and whatever that else that was. Ba Joe Chibangu you’ve been in the game a long time, you should have known better and been on top of the situation guiding the kids and showing them how it’s done instead of that uncoordinated hot mess we saw. You could hear a pin drop however when what was the performance of the night came on and delivered music in its true essence. Armed with a guitar and accompanied by a traditional drum, Theresa delivered a poignant performance, with every piercing lyric clear as a bell. The performance was special. Applause to Jay Rox, good job on delivering a cohesive performance form which other acts should take notes. The Cypher was not televised *scratches head*, it would have broken the monotony of the dreary telecast. 

We do not know when the voting ended and by whom the results where verified, some of the results were sketchy and we will never know how credible the awards let alone outcome was. Things get awkward when the crowed screaming the title of the song that should have won Best Dancehall and Joanna didn’t win. Things get even more interesting when the Best Collaboration is a three people act and there are only two trophies. Do the maths properly, and in future (if there is one) have four trophies on standby it’s collaboration not a duet of best duo. Moving on to acceptance speeches folks, keep it brief and to the point. We don’t want to know why the recipient could not collect or your relation to them, say thank you on their behalf and apologies that they couldn’t be there and remove yourself from the stage. Let me make myself clear again, apart from the person receiving the award, significant others, neighbors, fans of fans should only be mentioned in the speech and not be allowed to even breath into the microphone. I don’t know what Twitter timeline the ZNBC tweep was looking at, clearly not the one the rest of us were looking at. Harsh tweets and Facebook posts is putting it mildly, Bored n Dead is not our first time at the rodeo.   


Same number, same city if you looking for me! Bye

Thursday, September 10, 2015

Selfies At The Beach With Zinhle, Flying Fish & R&G


the Exclusive By. The Lord Kempson Ari weYulu
@ZambiazHarshTag @KempsonAri


T

he process was simple, drop a K 5ifty, get tagged and enjoy. The masses turned up and R&G Events (@RandGzambia) delivered the goods as always. Don’t believe me? There was even a mobile FNB ATM (@FNBSA, @FNBZambia), enough said. With one nation gathered under and in the groove, the 2015 Flying Fish Beach Festival was a befitting way of welcome the summer on a spring Saturday (time frame is blurry). From Dj’s to TV personalities to public figures and tweeps, everyone was at the beach and the selfie count definitely went past the thousands as the party raged on into Sunday morning. If you are reading this and were not at the Gymkhana Club, you missed out on sipping some cold Flying Fish, summer anthems and the 10’z roving the park including models such as Miss International Zambia Mercy Mukwiza (@Mercyswit).



With two stages on either end of the beach, as far as music is concerned which was the elixir fuelling the event (the Flying Fish was also at work), it was the battle of the mongoose VS the snake between the astonishing bill of Dj’s. The white tent was House central under the auspice Dj Shotz (@Shotzismyname) and co. who churned out hits such as Lime by Electrobrain and Gotta Tell you by Deepjack and Mr Nu. As the house played on, Savanna award winning club Dj HuSseiN (@SupastaDJ) dropped bombs and did damage on the main stage dropping club hits including Kendrick hit record King Kunta which brought the funk that kept people moving and singing along. Fist Pump Bear Sebastien
(@sebastiendutch) took over the main stage with a spell binding and energetic performance which kept people’s hands in the air with tunes such as Rude by Magic. His set also included a live performance by Kiki (@kikisingszed) performing original material produced by him, and What You Gonna Do by the duo (who are on the cover of the R&G Magazine 2015 Issue) was performed and heard live for the first time. Kiki is a breath of fresh air and a welcome change from convention, the petit femme fatal packs a lot of soul and oozed sensuality throughout her vocally seductive performance. I can’t wait to hear the album eventually. Dj Blocks (@DjBlocksZambia) the winner of the Miller Soundclash (headed to Las Vegas), proved why he is indeed the man representing Zambia in Nevada as he kept the hits coming such as summer sing along #Classic Man and other anthems.


The G in R&G’s outta ego Ba Guy came on the decks an hour before Dj Zinhle (@DJZinhle). As soon as he dropped his calling card smash hit by Nelly Hot In Hear, Fish (a big Nelly fan since high school) filled up the Flying Fish tent as he kept the masses jiving to dance floor fillers both new and old skool. However when the clock struck 9ine on the dot, the superhero had other ideas for the main stage but not without Ba Guy putting up a fight. All along however the headline act had a plan (besides looking summertime fine and in great shape), which she enacted after dropping cult hit Cheerleader and then really switched things up with Dj Merlon’s (@djmerlon) Koze Kusa. There is a reason DBN (@DbnNyts) Nyts feat. Zinle Ngidi &Trademark is permanently on my “Dawn of Summer” playlist, when the Dj drops #Shumaya you immediately begin to gyrate and develop rhythm in seconds. When fisherman’s We Call Out all out came on after Shumaya, Zinle had succeeded in teleporting the non believers and those on the fringes to the mash pit of the main stage. When she dropped The Drummer Boss Heavy K’s (Heavy Kusta) (@HeavykDrumboss) Yini tjooo, I was overdosing and near comatose from the hypnosis of Zinhle’s prowess behind the decks spinning house standards in tow. She delivered like the house queen she is, all hail the maestro and Her Name is really ZINHLE and Lusaka say thank you and much love. Tjo, way to set off the sunny days ahead.    


Zinhle was handling business (as a boss lady should) on deck so I couldn’t disturb her for a selfie (but there will be a next time when ama also get to hold an ERA piece), but I vicariously took one through my compadre manning security Big Sam aka Samuel Mutale (@Joshua_Samuel_). I know using your super powers you are reading this @DJZinhle. Celebrity sightings of the day included Cleo the Ice Queen (@Cleo_icequeen) from Big Brother and now host of Dreams season 2, rising riddims and Crystal Ball rap artist Mic Burner (@Micburnermsic), Bombshell (@MizzBombshell) The Burg/Nkani Yalula (ft. Jay Rox) fire spitting Mc and the disc jockey K Army CEO and producer KbKilla Beats (@killa_kamy) was also mingling in the crowd. The biggest shout out is reserved for my tweeps/followers/following, starting my the fashion savvy No.1 festival (2 for 2) partner in crime

Kamota (@Fuchsiaristic), fellow Red and button up associate Luwi (@mz_luwi) and Co. Dee Walker (@Sunshine_deeD)  owes me drinks or food (TL references) at the next event on the calendar, I will collect. Xoxoxo the controversial
#Sexy Body Kachanana (@justkach), it was a blast meeting you *winks*. And so as the sun went down and came up again the next day, the Flying Fish flags flew and blew into the night. Thank you R&G, see you in Fringila from the 9th to 10th October at Oktoberfest! Get that tent for K300 from R&G HQ at 3056 Makishi Road 
          

Tuesday, September 8, 2015

The Disparate Youth Galvanize Their Movement At Street Culture Festival

                                                               The Review & Analysis By. Sir Kempson Ari weYulu
@ZambiazHarshTag @KempsonAri



W


e have come a long way as a republic on many fronts, progress that has permeated a lot of elements in Zambia over the past 5 decades.  It was something like a scene straight out of Breakin’ and the sequel Electric Boogaloo. From crop tops to sweat pants and skinnies, nothing much has change not even the snap back, the culture may have aged but Hip-Hop and its elements still maintain youthful vigor, hence it will never die! I could check at least 3ree elements that are part of the essence of the culture that were present at the gathering: Breaking, DJing and graffiti, Slap D (@slapdee) brought it full circle when he jumped on the Mic with the MCing element. I wouldn’t have believed it if hadn’t seen with my own eyes, B-Boys and B Girls, graffiti and freehand artists, and skaters, all 21st century Zambians (yes that includes you Dwain Whitaker) making Street Culture (www.facebook.com/profile.php?id=100008989366507) happen in a germane way. The 12th edition of the Street Culture Festival (www.facebook.com/SCEAA?ref=ts&fref=ts) boldly put the misguided notion that the youth lack imagination, originality and adventure.

Founded by Kapembwa Siame and Elijah Zgambo in December 2011, the Street Culture Festival is held three times a year s during school holidays in April, August and December. With a 13,303 strong Facebook following (Facebook...), the culture is a full fledge movement with the Festival and dance being just one element. The street art aka graffiti and freehand sketches were amazing dimension to behold. The prodigies that are 
Nsamba Shitumbanuma (instagram.com/nsamba93and Dwain Whitaker
(https://www.facebook.com/XXP.DoWork)
 are indeed the future Jean-Michel Basquiat’s Keith Haring’s of the Zambian art world.  Aside from the tri annual festival, Street Culture as an institution that also teaches the art of breaking and other forms of dance to the youth. With all the backlash and negative publicity the young folk receive, it is refreshing to see them promote themselves in a positive and non destructive light. The strong anti drug theme No Love For Drugs sent a clear message. Art in whatever form it was being expressed at the festival is a safe outlet and also healthy form of recreation, which also deters harmful practices and vices. There were no liquor or nicotine merchants on the premises of the event which sent an affirmative message.         


Despite the high concentration of puberty and energy, there was no unruly conduct. The organizer must be applauded not only for ensuring the personal health and safety of 1500+ attendees, but also engaging professional health practitioners. Although only 48 people were tested (at the time this data was collected), the facilities for counseling, testing and promoting safe sex where readily available and accessible for the sexually active or those experimenting  who constituted a large number of the crowds and information seekers too. It is important to stress the fact that the provision of these facilities is not to promote promiscuity but to save lives and prevent infections amongst the most susceptible group in society who are the youth. The Latkings Outreach Program

message was clear: Promoting sexual education, promoting sexual rights and promoting health care. In 2015 we cannot be as naïve and turn a blind eye to the sexually active or perpetuate the abstinence message of a bygone time, a practical approach and a less rigid approach which stresses a zero fear or stigmatizing approach must be encouraged. I salute the men and women promoting safe sex and educating the nation’s future.

              
Aside from the main event which was dance, the skaters in the outdoor arena were also amazing to watch. With rap classics such as The Notorious B.I.G providing the sound track, the decks on wheels event was on high octane as they kicked, pushed, grinded and flew off ramps. With no signs of slowing down, Hip Hop is not dead and the Street Culture Movement is doing a good job of keeping the culture alive and keeping the youth productive. Shout out to the local and international sponsors, enterprises and organizations supporting the movement. See you in December 2015 at the next 13th edition of Street Culture Movement… It will be of epic proportions!